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Mackie 24•8 24x8x2 Recording/PA Console The 32•8 and 24•8. Mackie's 8•Bus Series has never been equalled for sound quality. Expandable, the definitive 8•bus console that's used by more artists, groups, composers, and production facilities than any other brand. The 8•Bus series was designed to eliminate the last barrier between you and audio creativity — the 32•8, 24•8 are capable of sound quality equal to or better than that of $100,000 consoles. 8•Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class — they set the standard for affordable 8-bus consoles. Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8•Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials. Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ — with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ — as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals. With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8•Bus'scomplete talkback and phones level controls make communicating with the talent a snap. There's much more. When you get right down to it, the 8•Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8•Bus you'll be in good company. Features: Output Noise (Measured 20Hz to 20kHz bandwidth Tape Returns selected, no EQ, Channel Pans alternating L/R, L/R. "Faders up" refers to Unity gain, 0dBu position): Master fader down: 101dBu Master fader up, 24 channels, channel faders down (mix noise): -90dBu Master fader up, 24 channels, channel faders up: -86dBu +4dBu operating level signal-to-noise ratio: >90dB Total Harmonic Distortion, 1kHz @ + 14dBu measured 20Hz-20kHz, mic input, 1 channel assigned: Direct output: 0.0013% typical L/R Mix output: 0.0014% typical Submaster: output 0.0015% typical Crosstalk, 1kHz measured relative to 0dBu, measured 20Hz to 20kHz. Line In to Adjacent Channel: -91dBu Channel Fader down: L/R Mix Output: -95dBu Submaster Output: -96dBu Channel muted: L/R Mix Output: -95dBu Submaster Output: -96dBu Channel un-assigned: L/R Mix Output: -91dBu Submaster Output: -95dBu Adjacent Channel assigned: L/R Mix Output: -92dBu Submaster Output: -94dBu Panpot attenuation: L/R Mix Output: -87dBu Submaster Output: -87dBu Frequency Response 20Hz to 60kHz, any input to any output +0/-1dB 10Hz to 120kHz, any input to any output +0dB/-3dB E.I.N.: Mic input, 150 ohm termination, 20Hz-20kHz 129.5dBm Mic input, shorted, 20Hz-20kHz -136dBV C.M.R.R. Mic input, max gain, 1kHz 83dB Maximum Levels: Mic input: +14dBu All other inputs: +22dBu L/R Mix balanced output: +28dBu All other outputs: +22dBu Impedances:- Microphone input:: 1.5 kΩ Channel insert return: 2.5 kΩ All other inputs: 10 kΩ or greater All outputs 120 Ω Equalization: Hi-Mid full parametric (Q) variable from 1/12 to 3 oct, 500Hz-18kHz: 15dB Lo Mid swept, 45Hz-3kHz: 15dB Hi shelving, 12kHz: 15dB Lo shelving, 80Hz: 15dB Lo Cut HP filter, 75Hz: 18dB/oct. slope (Tchebechev) Power Supply Power Consumption 400 watts Output +18V 3.5A -18V 3.5A +48V 250MA +12V 1.5A +5V 3A Weight: 24 pounds not including power cable. Dimensions (HxWxD): 3.35" (85mm) x 19.00" (483mm) x 10.08" (256mm)
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